Discover our October 2014 issue on HOUSE - design, food and travel by House & Garden. Architect Seth Stein has tweaked the existing conservatory giving it a more graceful roofline.

what they are saying: folks who live in glass housesneed to comprehend how very, very fortunatethey may be. whether you’re looking for conservatory designs and ideas, or simply need to gaze longingly at their décor, get inspired by means of these stylish systems.
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The proprietors of this Victorian townhouse in west London have decorated the classically proportioned rooms in undeniable and simple finishes to create the appropriate placing wherein to display their seriesof modern design.

inside the kitchen architect Seth Stein has tweaked the prevailing conservatory giving it a greater sleekroofline and adding smart bronze details to the doors starting on to the garden. ‘The concept of thepurchaser changed into to treat the place like a type of installation,’ he explains. Artist Stuart Haygarth recycled plastic flotsam and jetsome to create a shimmering chandelier, Tide, suspended above the diningtable. The eating table and eighteen chairs are by way of India Mahdavi.

Taken from the October 2014 trouble of residence & lawn
in the greenhouse of Polly and Ed Nicholson’s walled garden, Polly propagates vegetation and growsvegetables. This bureaucracy a critical part of her successful enterprise Bayntun plants, which she runs from domestic.
A heat welcoming interior with a carefully curated mix of vintage and custom-made furniture offers Ett Hem in Stockholm, designed by means of Ilse Crawford, the texture of a nicelycherished house, instead of a inn. inside the glass residence, a gauzy sail-like colour can be pulled over the roof to keep out thesolar, while an abundance of homely plant life hyperlinks the gap to the garden beyond.
A conservatory can upload a amazing area to relax and entertain in. a mix of botanical prints, a patterned tiled ground and natural materials create a glance that brings the outside in.

fixtures Aluminium facet table, 60 x 40cm diameter, and armchair, 87 x sixty one x 56cm, £three,000 for a hard and fast of chairs and a table, from Talisman. Rattan cafe armchair, ‘Cezanne’ (herbal leaf and black), 102 x 62 x 61cm, £199, from Drucker. Zinc-topped okaydesk, ‘Sawbuck’, 76 x 304 x 78cm, £4,140, from Matthew Cox. Rattan and plastic outdoor facet chair, ‘Isabell’ (black and white), through Sika design,ninety two x forty eight x 59cm, £180, from Designers Guild.

add-ons Ceramic lamp base, ‘Sibyl’ (spinach), £516, from Porta Romana; with vintage silk color, £600, from Guinevere. Porcelain aspect plate (on aspect desk), ‘Dahlia’, e9, from Virebent. Cushions, from pinnacle: ‘Moss’ (charcoal), by using Howard Hodgkin, cotton, £one hundred ten a metre, from Designers Guild. ‘Aylsham’ (L-219), cotton, £96 a metre, from Fermoie. Wicker-basket pendant lighting, 40 x 56cm diameter, £a hundred thirty each, from authentic residence. fabric (under plant stands), ‘Tuileries’ (crème), by way of Verel de Belval, linen/polyester, £238 a metre, from Abbott & Boyd. Porcelain bowls (yellow), by using dustAustralia, from £45 every; napkins, ‘Leaf’ (charcoal), by using Howard Hodgkin, cotton, £110 a metre; tablecloth, ‘Brush’ (charcoal), by Howard Hodgkin, cotton, £one hundred ten a metre. All from Designers Guild. White stoneware, ‘Cracked Slip Vase’, through Matthias Kaiser, £200, from The garden Edit. chineseglazed yellow stoneware,’Lantern Jars’, £800 every; Han dynasty stoneware Hu vase, £1,450; indigo-dyedlinen sheet (on chair), £360. All from Guinevere. Ceramic parrot incense holder, £ninety eight, from Plümo. Resin plate, ‘Black and Snow Swirl’, £one hundred twenty, from Dinosaur Designs.
in terms of conservatories, the inner merits simply as an awful lot consideration because the out of doors. here, a mixture of painted brick, a patterned tiled ground and French-inspired furniture create a glance this is practical but inviting.
With spades of lawn expertise, you know you will always take some thing away from the Chelsea Flowerdisplay. one in all them being the award-prevailing room from Marston & Langinger with massive precisedoorways, sleek roofline, and inviting heat lighting fixtures.
A dramatic modern extension – housing an open-plan kitchen, sitting room and pool (some distance left of the photograph) – adjoins a 1720s house in Richmond, west London, in a juxtaposition defined througharchitect Alan Higgs as ‘the new kissing the vintage‘. The copper hanging seat is with the aid of Stephan Myburgh.


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